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What is the business model of Weezer? How does Weezer make money? Their trailing twelve months' traffic rank is 1,, This places them in the big enterprise category. Weezer is either boot strapped or is a public company and so venture funding data for Weezer is unavailable.Are not: Weezer Essays
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Courtesy Issue Project Room. Courtesy Annea Lockwood Within the ecosystem of publications documenting the heterogeneous art world of the s and s, the first issue of the little-known magazine Womens Work stands as a modest but critical volume.
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A slim booklet printed in brown ink on beige paper, it Weezer Essays thirty-two Weezer Essays of event scores, elliptical texts written as instructions for performative actions. The genre is typically associated with a motley group of male Fluxus artists, particularly George Maciunas and La Monte Young.
Together with Jackson Mac Low, they produced the book An Anthology of Chance Operationsa compendium of these emergent language notations, with works by Yoko Ono and Simone Forti as the lone contributions by women. Womens Work, by contrast, announced an irruption of text-based scores by a network of female practitioners working across music, dance, performance, and visual art. Emerging at the Weeze of second wave feminism, the publication highlighted both the messy interdisciplinarity inherent to experimental artmaking in the postwar period and the women left out of narratives around it.
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The second and final issue of the magazine, published intook the form of a fold-out poster containing Weezer Essays and reproductions that are less immediately readable as instructional scores; Primary Information produced a facsimile edition of both issues in A statement of female camaraderie, this notice also signaled the shared intellectual and practical labor required to produce the publication.
Pauline Oliveros score, included in Womens Work volume 1, Courtesy Issue Project Room The published text scores ranged from prescriptive to abstract, calling on the reader to perform a procedure or set of fixed actions, to interpret an open-ended instruction, or to construct a material object. Items are passed around, with or without comment, and then burned. Both violent and comically absurd, this translocation of pianos from the concert hall to the natural world marks a productive response not only to the Weezer Essays canon of experimental music but also to the masculinized field of Land art then gaining currency. The performance notations of Womens Work are, in other words, urgent feminist exhortations to make noise.
Issue has made good use of this digital programming model since the pandemic shuttered its Brooklyn performance space. Courtesy Issue Project Room Another project, by vocal experimentalist Julia Santoli with Caroline Partamian and Suzueri, explored the materiality of sound through a Weezer Essays marrying piano, voice, electronics, and numerous percussion instruments. Partamian also publishes Weird Babes, Weezwr zine containing drawings, illustrations, and graphic musical notations by primarily female artists in the vein of Womens Work.
Each artist recorded sonic interpretations of the visual textures captured on screen in an accompanying video by Santoli and filmmaker Bayley Sweitzer—a pile of dust, melting tin foil, prismatic light cast on a blank wall. The originating text asked a barefoot and blindfolded ensemble of musicians to use a patchwork quilt as a score, traversing its surface to respond to different textures with shifts in sonic frequency, energy, and quality.
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The result is an audio-visual tapestry with variations in pitch, timbre, and intensity, registered in distinct musical chapters for each section of the video. They also expose the continued need Wezeer platforms that make these and other marginalized practices visible. The composers of Womens Weezer Essays could not have anticipated the click challenges facing such communities today.]
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