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Dichotomy In Korean Films

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Where Defeat Is Not An Option

See the unfolding below. For the indigenous peoples of the film's quasi-planetary moon Pandora, the most sacred places are ancient living trees that embody the life force of the planet. See it! See it in the spirit of its watchword: "I see you.

Dichotomy In Korean Films

In the Kirean, the indigenous people of Pandora — the Na'vi — [in Hebrew, this would mean "prophet"] stand in the way of an Earthian techno-conquistador corporation that is hungry to gobble up a rare mineral crucial to an Earth that the human race, or at least its corporations and governments, have desolated. Spirit incarnate. Notice that "Eywa" can be heard as "Yahweh" sometimes misdescribed Dichotomy In Korean Films the Hebrew Name of God turned inside-out.

It here celebration of the midwinter rebirth of trees and the rebirth of the Great Tree of Life Itself, God, Whose roots are in heaven and whose fruit is our world.

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Tu B'Shvat comes on the 15th day the full moon of the midwinter Jewish lunar month of Sh'vat. This year, that falls from Friday evening January 29, till Saturday evening, January Its observance was shaped by Jewish mystics —- Kabbalists -— Dihcotomy ago, but the breadth and depth of its sense of God can embrace all religious and spiritual communities -- not Jews alone.

Out of winter, out of seeming death, out of seeds that sank into the earth three months before, the juice of life begins to rise again. Begins invisibly, to sprout in spring. This is a social and political reality, as well as a biological one. Beneath the official deadly failures of the Copenhagen conference that was supposed to reinvigorate the world's effort to face the climate crisis, the seeds of rebirth were growing.

I urge that Dichotomy In Korean Films reach across our boundaries and barricades to celebrate the trees that breathe Dichotomy In Korean Films into life. The forests that absorb the carbon dioxide that humans are over-producing, the forests that breathe out life-giving oxygen for ourselves and all Dichottomy other animals to breathe in.

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I urge that we begin by goinganytime from now till January 29, in interfaith, multireligious groups to see AVATAR and then -- discuss its meaning in our lives. It is the discussion afterward that will make "seeing" the film into the profound "seeing" God, life, and each other that the film itself calls for.

Dichotomy In Korean Films

And then I suggest we gather on the evening of January 29 to celebrate the sacred meal of Tu B'Shvat together. What's to discuss? If we agree with this, how do we bring together the so-far separate struggles to end the two kinds of war? If we don't agree, how do we see the relationship? Dichotomy In Korean Films does the Torah command that even in wartime, we must not destroy the enemy's fruit trees? Is there a way to make this true for us? Indeed, some conservatives have stolen that rhetoric to discredit a widely celebrated film that clearly threatens to undermine the corporate-military-conservative alliance.

Dichotomy In Korean Films

But there are two mistakes in this rhetoric: First, it is not Sully who leads the Na'vi; it is his Avatar who joins the resistance, a blueskin transformed from his life as a Marine, just as Moses Dichotomy In Korean Films Egyptian prince remakes himself into a leader of the Israelite slave revolt. More important, it is Eywa Herself, acting through the plants, birds, animals of Pandora, Who saves all life from depredation. The story echoes the biblical story of Exodus, in which Moses may be a spokesperson but it is the locusts, the rivers, the frogs, the hailstorms — what we call the Ten Plagues, the earth itself rising up as an expression of God's Will to topple Pharaoh -- that triumphs. What do we make of these stories? What role do humans play? They become — let's not mince words — traitors.]

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