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The Taj Mahal complex can be conveniently divided into five sections: The 'moonlight garden' Mehtab Bagh to the north of the river Yamuna. The riverfront terrace, containing the Mausoleum, Mosque and Guest House. The Charbagh Garden containing pavilions. The western Naubat Khana is converted into a museum.
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The jilaukhana forecourt containing accommodation for the tomb attendants and two subsidiary tombs. The Taj Ganji, originally a bazaar and caravanserai only traces of which are still preserved. The great gate lies between the jilaukhana and the garden. Levels gradually descend in steps from the Taj Ganji towards the river. Contemporary descriptions of the complex list the elements in order from the river terrace Women On A Terrace Cafe Painting Analysis the Taj Ganji. For the majority of Muslims, the spiritual power barakat of visiting the resting places ziyarat of those venerated in Islam, was a force by which greater personal sanctity could be achieved. However, orthodox Islam found tombs problematic because a number of Hadith forbade Women On A Terrace Cafe Painting Analysis construction.
As a culture also attempting to accommodate, assimilate and subjugate the majority Hindu populace, opposition also came from local traditions which believed dead bodies and the structures over them were impure. For many Muslims at the time of the Taj's construction, tombs could be considered legitimate providing they did not strive for pomp and were seen as a means to provide a reflection of paradise Jannah here on earth. The tomb employs a traditional Persian iwan as an entrance. The AD AH Tomb of Babur in Kabul is much more modest in comparison, with a simple cenotaph exposed to the sky, laid out in the centre of a walled garden. Akbar's tomb c. A theme which was carried forward in the Itmad-Ud-Daulah's Tomb also at Agra, built between andcommissioned by his daughter Nur Jahan. The Tomb of Jahangir at Shahdara Lahorebegun in AD AHonly 4 http://pinsoftek.com/wp-content/custom/stamps/economic-and-social-consequences-of-the-black-death-essay.php before the construction of the Taj and again without a dome, takes the form of a simple plinth with a minaret at each corner.
They were the first architectural expression the new empire made in the Indian sub-continent, and fulfilled diverse Women On A Terrace Cafe Painting Analysis with strong symbolic meanings. The symbolism of these gardens is derived from mystic Islamic texts describing paradise as a garden filled with abundant trees, flowers and plants, with water playing a key role: In Paradise four rivers source at a central spring or mountain. In their ideal form they were laid out as a square subdivided into four equal parts. These rivers are often represented in the charbagh as shallow canals which separate the garden by flowing towards the cardinal points. The canals represent the promise of water, milk, wine and honey. The tombs of HumayunAkbar and Jahangirthe previous Mughal emperors, follow this pattern.
The cross axial garden also finds independent precedents within South Asia dating from the 5th century where the royal gardens of Sigiriya in Sri Lanka were laid out in a similar way. Ebba Koch suggests a variant of the charbagh was employed; that of the more secular waterfront garden found in Agra, adapted for a religious purpose.
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Women On A Terrace Cafe Painting Analysis gardens were developed by the Mughuls for the specific conditions of the Indian plains where slow flowing rivers provide the water source, the water is raised from the river by animal-driven devices known as purs and stored in cisterns. A linear terrace is set close to the riverbank with low-level rooms set below the main building opening on to the river. Both ends of the terrace were emphasised with towers. This form was brought to Agra by Babur and by the time of Shah Jahan, gardens of this type, as well as the more traditional charbagh, lined both sides of the Jumna river.
The riverside terrace was designed to http://pinsoftek.com/wp-content/custom/human-swimming/character-analysis-the-secret-agent.php the views of Agra for the imperial elite who would travel in and around the city by river.
Other scholars suggest another explanation for the eccentric siting of the mausoleum. If the Midnight Garden to the north of the river Jumna is considered an integral part of the complex, then the mausoleum can be interpreted as being in the centre of a garden divided by a real river and thus can be considered more in the tradition of the pure charbagh.
These were a square or rectangular planned buildings with a central domed chamber surrounded by eight elements.]
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