Tom And Rodeo Case Study Video
Netflix: Worth $150B+ BUT Losing Disney! - A Case Study for Entrepreneurs Tom And Rodeo Case Study
Colourist John Daro at Warner Bros shares how they built the colour on two continents for these classic characters. Can you tell us more about the challenges of live-action, animated film?
When Tom came to us
You have the live action film with its grade, and then the characters are on top. Next you grade the characters to be consistent from shot to shot, taking into account the various lighting conditions and local colour from the live action plate. Remote collaborative work between London and LA was key for the project, could you please elaborate?
Arguably, the most crucial aspect of finishing this film was how Warner Bros Post Production Creative Services was able to support and complete this project during some of the most restrictive months of the pandemic.
Things were looking pretty bad on the Covid front when we started the grade in early December. Key to the success was the communication between editorial and VFX in Burbank and London — all via email, Teams and phone calls.
The challenge was keeping everyone on the same page between two different time zones. What was the workflow like with the VFX and editorial departments? Framestore London did the VFX shots for the show.
A Report On Tom 's Family
There were numerous versions of every shot, right up until delivery — and a couple after, as usual. Aside from the beautiful animation, the plates also acquired a number of matte channel layers in the EXR. More info character had mattes for their body, eyes, drybrush, and any props they were handling.
This made for some extra prep prior to colour, but Tom And Rodeo Case Study paid off big time when we started the grade. At the end of his Caase, he would send the project files for the updated reels back to LA where DI Editor Leo Ferrini would then take over while Otto slept.
The organisation that Otto and Leo imparted onto the timeline was second to none. Each character had its own layer to try and keep the timeline nice and tidy.]
It is remarkable, this very valuable message