Temperament As Depicted In Mary Shelleys Frankenstein - topic simply
Main article: Frankenstein Victor Frankenstein builds the creature in the attic of his boarding house in Ingolstadt after discovering a scientific principle which allows him to create life from non-living matter. Frankenstein is disgusted by his creation, however, and flees from it in horror. Frightened, and unaware of his own identity, the monster wanders through the wilderness. He finds solace beside a remote cottage inhabited by an older, blind man and his two children. Eavesdropping, the creature familiarizes himself with their lives and learns to speak, whereby he becomes an eloquent, educated, and well-mannered individual. During this time, he also finds Frankenstein's journal in the pocket of the jacket he found in the laboratory and learns how he was created. Temperament As Depicted In Mary Shelleys Frankenstein
Not that becoming civilized dispels the trickster, only consciousness determines to free itself from the allure of evil.
The Development and Change of the Monster in Mary Shelley's Frankenstein
Under ideal circumstances, as children learn and grow their ability to turn away from evil tendencies is strengthened. Not that the trickster has disappeared, but merely receded, with no energy to feed it, into the unconscious. What you are as a person contains an element of the trickster, but you are much more than that. There is a hero archetype as well. The importance of the trickster lies in the fact that it must precede the hero. The trickster, the fool, the jester are the archetype for the novice. You cannot begin with the hero, because the hero is at the top and no one can begin at the top.
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Therefore, one must proceed through the manifestation or least grapple with the trickster and his evil. As long as all is well in our conscious worlds there is no impetus for the trickster to reassert itself. But let calamity come to strew stink and garbage, and the trickster springs to its bidden place where it often finds release in being projected onto the perceived cause of the damage Jung, We, as those who have been civilized, tend to act the trickster through unconscious manifestation or projection onto those around us. We dislike recognizing our own malevolence and, usually without realizing it, project unflattering motives onto the actions of those around us. It is not necessarily our enemies that come in for our invectives, but just as probably our friends, family, and lovers. Frankensten
Gossip is a whole cesspool of such fecund judgements. http://pinsoftek.com/wp-content/custom/life-in-hell/school-dress-codes-reinforce-rape-culture.php dislike people who are too much like ourselves. This aphorism indicates nascent recognition of our judgements on others for what they often are, misplaced judgements of our own thoughts and motives. However, while still in the trickster cycle, the growing person can move from such brute-like unconsciousness to partial consciousness.
But I digress.
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The aspects of the fool that I have looked at before were largely like these of the partially conscious type. For instance, the clever fool who mistakes his own wisdom for a joke or the jester, who in accepting his fool-ness, has become rather wiser than the king, depict various degrees within a partially consciousness structure. The partially conscious fool or the comedian who uses tomfoolery to his own advantage are specialized and not applicable to most of us. It is the shadowy modern trickster that troubles us when our Frankenstejn are not flourishing as we would wish them to. Frankenstein does not initially seem to deserve a trickster analysis any more than we feel that we ourselves do.
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Frankenstein Franjenstein believed his desire for scientific discovery to be a pure one and does not appear to manifest classic tricksterous traits, although he betrays an inclination to blame fate. Frankenstein insists that fate has brought calamity onto him, because he cannot see that calamity is the result of his own actions.
Indeed, Frankenstein comes to regard the Creature as the physical manifestation of a nebulous fate. In such expressions, we begin to sense that although Frankenstein himself does not manifest the trappings of a trickster there lurks a latent shadow within his being. When the Creature attempts to converse with him, he rejects the advances as having no claim on his attention. He desires to thrust the formed result of his actions from himself.]
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