Industrialization In Lord Tennysons The Lady Of Shallot Video
The Lady of Shalott ExplainedIndustrialization In Lord Tennysons The Lady Of Shallot - the
Byatt ] In the chapter entitled "The Correspondence" in A. Byatt's Possession, we read the unique, academic yet passionate correspondence between two Victorian poets, Christabel Lamott and Randolph Ash. Two thirsty scholars uncover their relationship, which is begun, aptly, with letters. In one of her fractured letters to Ash, Lamott compares herself to the Lady of Shalott , Alfred, Lord Tennyson's isolated and ill-fated weaving woman in his poem by the same name. The Lady of Shalott sits perpetually with her back turned to the world, weaving the reflections of the outside world she sees in her mirror. Becoming "half sick of shadows" the Lady of Shalott "left the web, left the loom" and embarks upon a journey into the world.
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She bore the curse that if ever she looked at Camelot from her window she would be punished. Her only view of the outside world was its reflection in a mirror. Too curious, she one day stole a look, the mirror shattered.
Bewitched by what she had seen she climbed out of the tower window, took to a boat, and floated down the Thames River in the direction of Camelot.
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But he does not see her and cannot return her feelings. She dies before reaching Camelot where Lancelot finally sees her — but only as a corpse. He heightens her sensuality with bright red lips, long flowing hair, and a low-slung sash. She has just cast off from the island, the mooring chain is still in her hand, a crucifix lies near the bow of the boat and three nearby candles suggest her spirituality.
But only one of the candles remains lit, a portend of the fateful future awaiting her.
The tapestry that drags in the water is one that she had woven on her loom during her lonely days in the tower. Waterhouse painted three different versions of The Lady of Shalott. It is believed that his wife modelled for this one. In Portfolios.]
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