Aerial warfare Essays Video
Aerial warfare EssaysWar I And World War II
At the exact point where the optic nerve connects to the eye, there is a blind spot. As befits a film dealing far more in ethics than aesthetics, the shooting style is unadorned and the segments assembled so as to frequently show the means of their construction.
Anthony himself sometimes appears, coaching his subjects, fumbling with the camera placement or trying unsuccessfully to get a pigeon strapped with a spycam to fly. Information is intuitively amassed as historical documentation abuts modern-day re-creations which rub elbows with onscreen web searches and online clips. But there are also asides that prove through showing: A sequence in a mall shot on an Axon body cam is worth a thousand words about how the nature of its lens design makes subjects appear to be looming closer, and makes movements look more Aerial warfare Essays, than they are.
A trip to a water fountain looks like the beginning of a riot, and in our age of heightened awareness around police brutality, acquiring the tools to decode footage like this feels like an urgent project. The dummy has a face drawn on it.
It is grimacing.]
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