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His maternal grandfather was Isaak Shishmanoglou. Elia's brother, Avraam, was born in Berlin and later became a psychiatrist.
His mother read the Bible but did not go to church. When Kazan was about eight years old, the family moved to New Rochelle, New Yorkand his father sent him to a Roman Catholic catechism school because there was no Orthodox church nearby. In it, he describes his family as "alienated" from both their parents' Greek Orthodox values and from those of mainstream America. His father had become a rug merchant Streecar emigrating to the United States and expected that A Streetcar Named Desire Identity Analysis son would go into the same business. He also worked as a bartender at various fraternities, but never joined one. While a student at Williams, he earned the nickname "Gadg," for Gadget, because, he said, "I was small, compact, and handy to have around. In America America he tells how, and why, his family left Turkey and moved to America.
Kazan notes A Streetcar Named Desire Identity Analysis much of it came from stories that he heard as a young boy. He says during an interview that "it's Anxlysis true: the wealth of the family was put on the back of a donkey, and my uncle, really still a boy, went to Istanbul It's also true that he lost the money on the way, and when he got there he swept rugs in a little store. He writes "I used to say to myself when I was making the film that America was a dream of total freedom in all areas.
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Kazan had considered whether that kind of scene might be too much for American audiences: I hesitated about that for a long time. A lot of people, who don't understand how desperate people can get, advised me to cut it. When I am accused of being excessive by the critics, they're talking about moments like that. But I wouldn't take it out for the world.
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It actually happened. Believe me, if a Turk could get out of Turkey and come here, even now, he would kiss the ground. Icentity oppressed people, America is still a dream. At one point, he sat his parents down and recorded their answers to his questions.
He remembers eventually asking his father a "deeper question: 'Why America? What were you hoping for? At twenty-eight, somehow—this was the wonder—he made his way to New York.
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He sent home money and in time brought my father over. Father sent for my mother and my baby brother and me when I was four. He continued his professional studies at the Juilliard School where he studied singing with Lucia Dunham. They were called the Group Theatrewhich showcased many lesser known plays with deep social or political messages. After struggling to be accepted by them, he discovered his first strong sense of self in America within the "family of the Group Theatre, and more loosely in the radical social and cultural movements of the time," writes film author Joanna E. Kazan, during an interview with Michel Ciment, describes the Group: The Group was the best thing professionally that ever happened to me. I met two wonderful men. Lee Strasberg and Harold Clurman, both of whom were around thirty years old.
They were magnetic, fearless leaders. During the summer I was an apprentice, they were entertaining in A Streetcar Named Desire Identity Analysis Jewish summer camp]
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