Love And Desire In The Great Gatsby - are not
Peter Walsh had just arrived in London and the first thing he did was visit the love from his past. Peter wanted Clarissa to see the person he was and to tell her he was in love. Clarissa and Peter have an awkward conversation catching up with each other. She wondered, that awful summer? For example, in all three, there is a great desire to obtain things which are unattainable, and in turn this fuels their obsession and causes it to intensify. Furthermore, the act of being obsessive is a common human characteristic, which enforces the fact that obsession is a key element throughout all the texts. Othello has the desire to seek revenge. Love And Desire In The Great GatsbyIt seems important to mention this as unfortunately reviews for various adaptions of the F. Scott Fitzgerald novels appear indiscriminately bunched together. I remember that when I first saw the Desore back in the s I absolutely loved it because finally somebody had managed to adapt a book I had read exactly they way I'd imagined it.
Seeing the film now, many years later I stand by that. It still works very well for me. Well, mostly.
Great Gatsby Materialism
I love Redford as the mysterious Gatsby whom we don't get to see until a long way into the film perfectBruce Dern as Daisy's rather brutish husband Tom, and Sam Waterston as the outsider Nick Carraway who tells the story. However, I'm not quite so sure about the casting of Mia Farrow as Daisy. She was the flavour of the month back in the early 70s, but her portrayal of Daisy doesn't stand the test of time for me.
Still, I enjoyed seeing the film again. And I definitely prefer it to the more recent adaptions. The DVD is okay. The picture quality isn't all that sharp, but the colours are nice vibrant and the sound is clear.
Description
Subtitles are available for those who may need them. Also Subtitles in various foreign languages and a scene selection menu. No extra features Read more The adaptation played it too safe. A complicated romance with social commentary galore.
Maggie And The Great Gatsby
Scott Fitzgerald's poignant novel filled with visual metaphors critiquing the affluence and apathy of the wealthy. Francis Ford Coppola's screenplay is a Love And Desire In The Great Gatsby dramatic pull that captures the difficult romance in Gatsby, while focusing in on the misery of all involved. Clayton's direction is fascinating as he exudes lavish wealth in his visual style, while simultaneously mocking the extravagance with his ultra bright lights and shining ornate decorations.
Clayton captures the enjoyment from parties and material things that the upper classes enjoy daily, while also ensuring the audience understands nothing they own gives them happiness. Clayton puts the opulence out front and the misery of the fortunate on display. You do not feel bad for these characters because they are rich, but because they are so pitiful that they cannot appreciate all they have or who they have in their lives. Clayton's direction is simply marvelous and apt for The Great Gatsby. Douglas Slocombe's cinematography is clever in every scene.
The Obsessive Nature of Desire Presented in The Great Gatsby, Othello and Enduring Love
Whether we witness Daisy's pain through her eyes or Gatsby's longing in his reflection through a mirror, the visual choices are ravishing to the viewer's eyes. The many tracking shots and neat close-ups really emanate the sorrow of the leading pair. Gatsby alone in his pool or Daisy wasting away in a lawn chair are particularly memorable scenes. The set design is stunning detailed mansions and radiant expensive objects. The outfits are period accurate and sophisticated with neat white color schemes for a refined palette aesthetic.]
One thought on “Love And Desire In The Great Gatsby”