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GEORGE R. T. HEWES ANALYSIS Oct 28,  · DEMETER can land the Sennheiser UK Maiden Fillies' Stakes (Div II) () at Windsor today. Henry Cecil's Diesis filly looks like a smart sort in the making. Owned by Lord Lloyd Webber, she has been raising eyebrows for some time on Newmarket Heath and moved smartly in a workout last weekend on Long Hill. 2 days ago · Demeter Greek Goddess Cartoon, Greek Goddesses Drawings, Greek Goddesses Cartoon, Demeter Greek God Cartoon, Artemis Greek God Cartoon, Demeter Greek God Symbol, Greek Goddess Clip Art, Hera Goddess Cartoon, Demeter Greek Goddess Costume, Demeter Goddess of Harvest, Persephone Cartoon, Greek Goddess Demeter Family, Athena Goddess Cartoon, Demeter Greek Goddess Mythology, Demeter Goddess . 2 days ago · Zeus king of all the gods had three sisters,Hera queen of the gods and Zues's sister and goddess of marriage, Hestia goddess of home and hearth and Demeter goddess of the harvest. Demeter was loved by all humans, because she gave them good weather for growing. Demeter also had a daughter,Persephone she was Demeter's only.
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Demeter Myth.

I was fascinated by the rituals of the cult of Demeter alongside other cults of antiquity and how they tied their pilgrimage and rites to a sacred location. Why was the Eleusinian site such a place of power?

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Did they base the location of the ritual simply on where the myth told them to go, or was there a special, mystical magnetism to the ritual site? Demeter is a goddess grounded in Earth and physicality, meaning the location of her cult likely had great significance—greater than other gods who controlled the Demeter Myth or skies, for instance. These questions came up for me as I read both the Hymn and the readings on the rites of the Eleusinian mysteries. Therefore, I decided to juxtapose the physical space Demeter Myth the Eleusinian mysteries took place with the visual depictions of Demeter and Persephone that recur throughout the Western art historical canon. Emotional responses were not present unless the painting showed Demeter and Persephone being reunited. When selecting the paintings, I chose to focus on European artists ranging from the Baroque to Pre-Raphaelite periods due to the popular resurgence of classical myths in art, as societal movements began to focus on ancient culture and philosophy as inspiration for the industrial, religious, political, economic and societal upheaval unfolding in Europe.

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In addition, during this period, the portrayals of gods and goddesses were increasingly realistic, making it easier to transpose their figures onto a photograph of Eleusis and have it make sense aesthetically. Paintings of Persephone on ancient pottery, for instance, were more stylistic and two-dimensional, which would have looked less realistic on a modern photograph though ancient paintings and sculpture are, of course, more accurate to how ancient Greek Demeter Myth viewed Persephone and Demeter. By placing the Demeter Myth of Demeter and Persephone in the space where the mysteries took place, it gives the aura of legitimacy and possibility to the ruins. I imagined what it could look like if the events of the Homeric Hymn actually took place at the site of Eleusis; or what the initiates of the Eleusinian mysteries saw during their final rituals. I wanted to experiment with digital art and collage, using my more creative and visual side instead of writing a counter-narrative or analyzing a text like my previous pressbook entries.

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Painting: Persephone by John William Waterhouse. Background: Eleusis by Following Hadrian Photography. Painting: El Verano c.]

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