Quite good: Theme In Catch The Moon
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They soon married, and raised Carlos together. By , the family relocated to Carol City in South Florida. He learned how to drive at 12, learned to box and was an "avid weightlifter". In when he graduated a year early from Miami Senior High School , he was arrested and charged as a juvenile with credit card theft and motorcycle theft. In , shortly after his 18th birthday, Carlos was caught selling drugs, and hauled before a Dade County judge as an adult. He chose the latter, joining the United States Navy. He won the California state amateur Middleweight Boxing Championship inTheme In Catch The Moon - right! Idea
By cskmotion All sessions should be prepaid in order to maintain your appointment. Milana Levoe. Cinnamon Moon. Psychic Anael. Psychic Encounters Program. I may even talk faster than I could type, so more info does have an opportunity to come through in a telephone or In Person reading.We hope you'll join him. Seventy years ago, Aprilthis famous record began a two-month run at Number One on the Billboard charts: That perfect little pop single still sounds great seven TThe later, but we're not about records in this department, we're about songs. And there are so many records of that song that it's one of the most performed and recorded songs of all time: You Theme In Catch The Moon get it in country, pop, and a zillion jazz instrumentals. Anything left? Disco maybe? Nah, too late; been there, done that: How faint the tune? Not this one. It's not only one of the most performed and recorded songs of all time, it's the most performed and recorded song to be written by a woman. So who would that be?
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Well, not my favorite female lyricist, Dorothy Fieldsnor my second favorite, Carolyn Leighbut rather Nancy Hamilton. Young Nancy was a wit with a stage presence, and, after a few college shows, made her debut on Broadway in a revue called New Faces.
Among the new faces were Imogene Coca and Henry Fonda, but the best material went to Nancy Hamilton, who, aside from acting in the show, also co-produced and wrote most of the sketches. She gave a wicked parody of Katherine Hepburn in The Little Woman, and she demonstrated how the big pop hits of the day might sound if they fell into the hands of Walt Theme In Catch The Moon Three Little Pigs. If you're wondering why Hank Fonda and Imogene Coca were the ones who went on to screen success, well, you can get a kinda sorta hint in the way the gentlemen of the press wrote up young Miss Hamilton, dwelling on the "faint touch of severity in her get-up, her sleek, boyish haircut, dark tailored clothes, navy-blue beret. Her weight is pounds, neatly distributed beneath her dark tailored suit.
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And she has short, crisp hair. Which wasn't the only boyish thing about her. Wambly Bald emphasized that, like hardboiled male writers for the pulps, she had "a habit of sipping beer while at the typewriter Oh, yeah: "She hates shopping. By the time I met her, Nancy Hamilton was well known, at least in theatrical circles, as the relict of the late Katherine Cornell, the soi-disant "First Lady of the American Stage": for much of her life, Nancy had been the First Lady's first lady. As to her songwriting, my late friend Ned Sherrin, in his book Song by Song, devotes precisely one sentence to Miss Hamilton's achievements: Nancy Hamilton contributed principally to revues: 'A Theme In Catch The Moon, Lazy Kind of Day' is perhaps her best-known song.
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If you say so, Ned. I can't recall ever hearing Catvh, Lazy Kind of Day" played on the radio, and I'd bet you couldn't find one person in a million who knows it. But I'd wager a solid majority of the remainingwould have a nodding acquaintance with "How High the Moon". Is Miss Hamilton's status as a one-hit songwriter due to deeply Mon mid-twentieth-century music-biz prejudice against members of the lesbian community?
I don't think so. Aside from not being terribly interested in men, Nancy wasn't terribly interested in music. She had a glib, facile wit that could compass the world around her, see the comedy in it, and then calculate whether the joke was best expressed in a sketch, a sight gag, or an Theme In Catch The Moon verse. Five years after New Faces ofshe came up with Theme In Catch The Moon for the Money, which she conceived and produced and wrote the sketches and lyrics for. In the wake of the smash-hit left-wing revue Pins and Needles, she mocked the plonking earnestness of left-wing agitprop; the show opens with bloated plutocrats in evening dress quaffing champagne continue reading declaring, "We think right is right and wrong is left.
Nancy's composing partner on all her shows was a chap called Morgan Lewis, born in Rockville, Connecticut on December 26th Miss Hamilton's wit dazzled, and Mr Lewis was content to serve her dazzle. Over the years, he wrote hundreds of tunes Mooh show off her funny rhymes and larky characters, and, if there was anything of great melodic or harmonic inventiveness in the music, she doesn't appear to have noticed it.
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Except, that is, for one spectacular entry. The year after One for the Money, the Teh wrote a sequel called Two for the Show. It opened in Augustfifteen months after One for the Money closed, but another world: Much of the planet, if not yet America, was now at war. And Nancy Hamilton knew enough about the theatre to know that, even in revue, you have to vary the diet and pause the non-stop yukfest for something true and sincere.
So she set a scene in London during the Blitz: The all-clear siren sounds in Belgrave Square, the lights begin to come on, and various couples drift outdoors.]
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