Summary Of La Violencia By Doris Salcedo - not logical
To identify and kill these Ephraimites, the Gileadites told each suspected survivor to say the word shibboleth. The Ephraimite dialect resulted in a pronunciation that, to Gileadites, sounded like sibboleth. If he said, Nay; Then said they unto him, Say now Shibboleth: and he said Sibboleth: for he could not frame to pronounce it right. Then they took him, and slew him at the passages of Jordan: and there fell at that time of the Ephraimites forty and two thousand. In information technology a shibboleth is a community-wide password that enables members of that community to access an online resource without revealing their individual identities. The origin server can vouch for the identity of the individual user without giving the target server any further identifying information. The term can also be used pejoratively, suggesting that the original meaning of a symbol has in effect been lost and that the symbol now serves merely to identify allegiance, being described as "nothing more than a shibboleth". In , Nobel Prize -laureate economist Paul Samuelson applied the term "shibboleth" in works including Foundations of Economic Analysis to an idea for which "the means becomes the end, and the letter of the law takes precedence over the spirit. Regional differences, level of expertise, and computer coding techniques are several forms that shibboleths have taken. The legend goes that before the Guldensporenslag Battle of the Golden Spurs in May , the Flemish slaughtered every Frenchman they could find in the city of Bruges , an act known as the Brugse Metten. Summary Of La Violencia By Doris SalcedoSummary Of La Violencia By Doris Salcedo Video
A Conversation with Doris Salcedo (Full Version).Hablo de un mortal cualquiera con no cualquier poder. Hablo de faraones, santos y presidentes. De artistas. La naturaleza, que entiende de fuerzas y poderes, de arquitectura y escultura, tiene abejas, hormigas y gorgojos que se enjambran de una reina a la que, de por vida, le obedecen. Y el arte, que se parece a la naturaleza, tiene a Salceo. Doris Salcedo es una abeja reina.
LOS MÁS LEÍDOS
Ella, sonriente, encima de todo y de todos, presenciando su tropa de abejitas mientras explayaban semejante panal: los telares blancos de Sumando Ausencias que cubrieron todo el suelo de la plaza. Por sus feromonas que dirigen y conducen.
Fragmentos no es falo, no se eleva, no apunta al cielo, al dios de los cielos que suele ser masculino. Al menos no desde lo formal.
Se expande sobre el suelo, como varias de sus obras, para relatarnos un orden y poder distinto. Uno femenino y suyo.
Sobre todo no olvidaremos a Doris. Los falos forjados, aplanados y embellecidos, se volvieron las baldosas, los fragmentos, que se ensamblaron sobre el piso de un nuevo espacio.
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Un espacio. Fragmentos reivindica a Doris, transforma a Doris, forja su templo uterino y por eso, —sobre todo por eso— es una obra asombrosa.
Somos parte de su obra.]
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