Certainly, not: Beowulf: Difference Between Good And Evil
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In Januaryproducer Steve Bingat the behest of Zemeckis who was Beeowulf: to direct the film himself, revived Beowulf: Difference Between Good And Evil production by convincing Avary that Zemeckis' vision, supported by the strength of digitally enhanced live-actionwas worth relinquishing the directorial reins. Because of the expanded budget, Zemeckis told the screenwriters to rewrite their script, because "there is nothing that you could write that would cost me more than a million dollars per minute to film. Go wild! Animation supervisor Kenn MacDonald explained that Zemeckis used motion capture because "Even though it feels like live action, there were a lot of shots where Bob cut loose.
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Amazing shots. Impossible with live-action actors. This method of filmmaking gives him freedom and complete control. He doesn't have to worry about lighting. The actors don't have to hit marks. They don't have to know where the camera is.
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It's pure performance. Actors on set wore seventy eight body markers.
The cameras recorded real-time footage of the performances, shots which Zemeckis reviewed. The director then used a virtual camera to choose camera angles from the footage which was edited together. Two teams of animators worked on the film, with one group working on replicating the facial performances, the other working on body movement.
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The animators said they worked very closely on replicating the human characters, but the character of Grendel had to be almost reworked, because he is a monster, not human. In the cases that using cached data was not possible, the scenes were rendered using foreground occlusion, which involves the blurring of different overlays of a single scene in an attempt to generate a single scene film. The film Ghost Rider lent Beowulf the fluid engine that was used to model the movements of protagonist Johnny Blaze. The creation of additional rendering nodes throughout Culver City, California was necessitated by the movie's production.
In designing the dragon, production designer Doug Chiang wanted to create something unique in film. The designers looked at bats and flying squirrels for inspiration, and also designed its tail to allow underwater propulsion. As the beast is Beowulf's son with Grendel's mother, elements such as Winstone's eyes and cheekbone structure were incorporated into its look. Grendel has patches of gold skin, but because of his torment, he has shed much of his scales and exposed his internal workings. He still had to resemble Crispin Glover though: the animators decided to adapt Glover's own parted hairstyle to Grendel, albeit with bald patches. A soundtrack was released November 20, Differences from the poem[ Beowulf: Difference Between Good And Evil ] "There are a lot of questions.
For example, Grendel is described as half-man, half-demon. The mother is described as a water demon.]
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