The Theme Of Power In Fyodor Dostoevskys Notes From The Video
Notes from Underground (Dostoevsky) - Thug Notes Summary and Analysis The Theme Of Power In Fyodor Dostoevskys Notes From TheCommon Themes in Crime and Punishment and The Brothers Karamazov
The Im Russian writer believed that for the novelist the matter is not in the object itself, but in his artistic vision that transmutes that object: "If you have [a functioning] eye, the object emerges. If the eye lacks sight [i. For Dostoevsky's innovative use of language the most important element in Dickens's writing was the English novelist's using his visual imagination to express human feelings and relationships. One can appreciate Dostoevsky's inimitable style and characterization more clearly by comparing his characters and plots with those in Dickens's works. In considering the role that Dickens's works played in Dostoevsky's creative work in applying Dickens's observations about English society to that of Russia, we should focus on the moral, psychological, and aesthetic force of F.
Dostoevsky's applications of Dickens's plotting and characterization.
In his Diary of a Writer Dostoevsky expressed his appreciation of Dickens in this way: We understand Dickens in Russia, I am convinced, almost as well as the English, and maybe even all the subtleties; maybe even we love Fuodor no less than his own countrymen; and yet how typical, distinctive, and national Dickens is. Moreover, the basis for Dostoevsky's assimilation of Dickens's style and vision was Dickens's treatment of the theme about the need for the reconstitution of society, and especially for the wealthy and powerful to display a greater humanitarianism towards that society's less privileged. As David Gervais remarks, "Dostoevsky saw a poetic spirituality beyond Dickens's morality" As Dickens determined to be their voice in Great Britain, so Dostoevsky determined to be their voice in Russia.
Before treating the issues of creative assimilation of Dickens's manner and substance in Dostoevsky's workswe should mention the external evidence of the Russian writer's passionate interest in emulating Dickens's genius. The period was crucial in Dostoevsky's creative assimilation of the spirit and style of Dickens's works. Dostoevsky's creative development was forcibly interrupted Dostoevsys four years of Siberian exile in Omsk "ostrog" prison between and and a further five years of relative isolation from mainstream culture spent in the Semipalatinsk settlement During this decade the Russian writer was alienated from the social and literary processes at work in Russia's cultural centres, Moscow and St.
Even during this period of exile, however, we can detect his voracious interest in Dickens.
In his book of remembrances and memoirs about Dostoevsky's exile, M. Nikitin presents anecdotal evidence; for example, M. Nikitin remarks that, "after his Siberian imprisonment in Semipalatinsk, Dostoevsky read Dickens's novels by candlelight while often on the verge of tears" Nikitin The result of Dostoevsky's fascination with Dickens one can find in Memoirs by Petr Martjanov, who was in military service in Omsk 'ostrog' at the time of Dostoevsky's exile.]
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