Racism In Susan Wards Ultima Injustice Video
Systemic Racism Explained Racism In Susan Wards Ultima InjusticeRecent Posts
I think The Searchers is absurdly overrated, for it is far from flawless. But it is still a great work of art that plumbs deep themes and stirs deep feelings. Spoiler Alert: I am going to talk about the whole story, so bail out here if you want to Wrads the film with fresh eyes. The movie begins in a dark room. A door opens on a magnificent Monument Valley landscape. The silhouette of a woman appears in the doorway.
As she steps forward, into the light, she moves from being two-dimensional to three. It is like watching a specter, a shade, taking on an embodied form. It has the feel of a creation myth. But what is being created?
The answer seems to be civilization, and it is a very different myth than the one told by liberal social contract theorists. The opening also suggests that the interior realm of family and domesticity is less real than the exterior world. It certainly proves to be more vulnerable and less harsh. A rider approaches across the desert. This is a lawless land, where every stranger is regarded with apprehension. The wife is joined on the porch by her husband, then her daughters, then her son, all scanning anxiously. The figures are shot from a low angle.
The Point is To Change the World
They move with dignity. They barely Ib. The whole feel is monumental, epic. As the rider comes closer, they recognize him as a long-lost member of the family: Ethan Edwards, played with searing charisma by John Wayne. Ethan clearly aims to stop fighting and make a home there. He gives his sabre to Ben and a Mexican medal to Debbie. The next morning, Ethan goes off with a group of Texas Rangers to recover the stolen cattle of a neighboring rancher, Lars Jorgenson.]
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