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Corporate media propaganda plays a key role in keeping things that way. As we have documented previously, the propaganda claims were fraudulent. Libya, previously a wealthy state with free health care and education, was essentially destroyed. An estimated , Libyans were killed. Many more were displaced from their homes. As Jeremy Kuzmarov, managing editor of CovertAction Magazine and author of four books on US foreign policy, pointed out recently, the powerful Western perpetrators of this human calamity have never been brought to justice.

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Social Media: The new propaganda war tool - BBC News Propaganda Role In War. Propaganda Role In War

Balkans in-site comicspropagandaRepublika Srpska Krajinasuperhero Rloe, Yugoslav warsYugoslavia By Kateryna Shymkevych Propaganda has become one of the main methods of forming a negative image of the enemy during inter-ethnic conflicts in the former Yugoslavia. With the help of newspapers, TV, and magazines, the situation escalated, events were distorted, and hatred between different ethnic and religious groups was inflamed.

Propaganda Role In War

Comics, which were an integral part of military propaganda in the military and post-war societies of Propahanda former Yugoslavia, played an important role in this division. Comics in Yugoslavia, unlike other countries of the socialist camp, were very popular in the second half of the XXth century. Therefore, the use of this type of graphic art as a tool of propaganda was not accidental.

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The peculiarity of the comics was that the main characters in them were superheroes, endowed with extraordinary strength and capabilities. The authors of the graphic stories were inspired by stories about Captain America as a hero who fought against the Nazis in World War II. The name of the detachment is created IIn two words — Knin and ninja. Gani Sunduri said in an interview that his superhero fights against the evil Propaganda Role In War the modern world, including corruption and injustice. In each comic, there is an intertwining of real and fictional events. For example, Bosman had his extraordinary powers with the help of an imam. Similarly, SuperHrvoje got his extraordinary abilities by accidentally touching the magic stone. Both comics tell of real events in Croatia and Bosnia and Herzegovina in the early s. Emphasis is placed on the coexistence of different ethnic peoples in Yugoslavia before the break-up, the friendship between Serbs, Croats, and Bosniaks, and the inability to believe that they can Propaganfa each other on religious and ethnic grounds.

They were wearing trousers, boots with a cartridge belt, and had beards worn by Serbian chetniks-guerrillas during World War II. These are young men in good physical Propaganda Role In War, dressed in modern camouflage uniforms.

Propaganda Role In War

The authors of the comics used specific words. Also, the authors used other visual means of propaganda — dogfight between enemies, Propagnda which the main characters must defeat rivals, flags of self-proclaimed republics. This was to give readers a correct understanding of the events that took place in Croatia, Bosnia and Herzegovina, and The Republic of Srpska.

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The comics showed readers about what was evil, and who was good. In Bosnian and Croatian comics, Serbs were represented as the evil ones. And in Croatian Serbs graphic novels evil is represented as Croats. All superheroes are noble, honest, and just warriors who do not lose in battles with the enemy.]

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