A Christmas Carol: Comparing The Book And The Movie - speaking
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Development[ edit ] Carol is based on Patricia Highsmith 's semi-autobiographical romantic novel The Price of Salt. InHighsmith agreed to republish with Bloomsbury Publishing under her own name, and retitled it Carol. That evening she wrote an eight-page Crhistmas, which she developed some weeks later and had completed by She enlisted then-playwright Phyllis Nagy to write the screenplay on the recommendation of her London agent.
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No one frets about being gay; others fret on their behalf I also found Highsmith's notions of what makes a good mother to be quite radical—the choices that people have to make in order to make the lives of their children better seemed really fresh, and source. And still do, to this day, actually.
You needed to always start with her role". In fact it insists on not being that in order to make the Ths.
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I would talk about that with financiers, and I could see them glaze over. She's a ghost appropriately, as she should be, in the novel", adding that she was "overwhelmed by the task of trying to come up with the visual equivalent for it structurally. She made Therese a photographer instead of a set designer, allowing her "to be seen moving from objects to people", which she likened to Highsmith as Therese is a "clear stand-in" for the author.
She had "great freedom" developing the screenplay in England, while no studio or director was attached.
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Over the years, five "proper" drafts materialized. We both have an interest in restraint. That is what transcends the class of love, or the period in which it's occurring, and makes it something that just humbles us all and levels us all. They then decided to approach Haynes.
Vachon, Haynes's frequent collaborator, asked if he would be interested, and he received a copy of the screenplay. Two days later he committed to direct, and Vachon joined as a producer. Chhristmas, who served as an executive producer through her company Dirty Films, [41] had been involved with the project for "a long time".
He regarded the story, its historical and social context, and collaborating again with Blanchett, as motivations to get involved.]
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