Racial Politics And Its Effect On Rock And Roll - are
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Rainey Haynes - Old Enough To Rock and RollLittle Richard in Many of the earliest white rock and roll hits were covers or partial re-writes of earlier black rhythm and blues or blues songs.
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Songwriting credits were click unreliable; many publishers, record executives, and even managers both white and black would insert their name as a composer in order to collect royalty checks. Covers were customary in the music industry at the time; Etfect was made particularly easy by the compulsory license provision of United States copyright law still in effect. The more familiar sound of these covers may have been more palatable to white audiences, there may have been an element of prejudice, but labels aimed at the white market also had much better distribution networks and were generally much more profitable.
Later, as those songs became popular, the original artists' recordings received radio play as well. For example, Bill Haley's incompletely bowdlerized cover of " Shake, Rattle and Roll " transformed Big Joe Turner's humorous and racy tale of adult love into an energetic teen dance number, [84] [93] while Georgia Gibbs replaced Etta James 's tough, sarcastic vocal in "Roll With Me, Henry" covered as "Dance With Me, Henry" with a perkier vocal more appropriate for an audience unfamiliar with the song to which James's song was an answerHank Ballard 's "Work With Me, Annie".
Buddy Holly and his band, the Crickets.
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Some commentators have suggested a decline of rock and roll in the late s and early s. Marketing frequently emphasized the physical looks of the artist rather than the music, contributing to the successful careers of Ricky NelsonTommy SandsBobby Vee and the Philadelphia trio of Bobby RydellFrankie Avalon Eftect, Fabianand Del Shannonwho all became "teen idols.
The lyrics of rock and roll songs described events and conflicts that most listeners could relate to through personal experience. Topics such as Rool that had generally been considered taboo began to appear in rock and roll lyrics. This new music tried to break boundaries and express emotions that people were actually feeling but had not talked about. An awakening began to take place in American youth culture. Supreme Court ruling that abolished the policy of " separate but equal " inbut leaving a policy which would be Ist difficult to enforce in parts of the United States. The youth culture exemplified by rock and roll was a recurring source of concern for older generations, who worried about juvenile delinquency and social rebellion, particularly because to a large extent rock and roll culture was shared by different racial and social groups.
In "There's No Romance in Rock and Roll" from True Life Romancea defiant teen dates a rock and roll-loving boy but drops him for one who likes traditional adult music—to her parents' relief.
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Teenagers found the syncopated backbeat rhythm especially suited to reviving Big Band-era jitterbug dancing. Sock hopsschool and church gym dances, and home basement dance parties became the rage, and American teens watched Dick Clark 's American Bandstand to keep up on the latest dance and fashion styles. Archived from the original on August 17, Retrieved Click 3, ]
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