Personal Narrative: Paterson Video
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| Personal Narrative: Paterson | 3 days ago · In the first section, ‘Listening (with Nancy)’, I pursue this argument about intimacy and listening through Jean-Luc Nancy’s Listening (), by way of Aristotle’s writing on the senses and sensibilities. The second section, ‘Resonating (with. 4 days ago · A Personal Introduction ‘Delicate Edible Birds’ by Lauren Groff I knew I had to include a story by Lauren Groff in this personal anthology because her level of narrative control and respect for her characters as people has stood out to me as I have read stories that influenced my own. 1 day ago · Immediately, the first destination that came to my mind was Paterson, New Jersey, an impoverished and dangerous city. Ever since high school began, I have been going to Paterson to help out with the Relief Bus, an organization that works as a soup kitchen and a resource to help find jobs. |
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But in this case, Berkeley also acknowledges an intimacy within the very experience of listening. To what extent resounding as more info as resonating Personal Narrative: Paterson in the body is crucial to my argument and to the case studies examined below.
This is not only about acts of listening as being straightforwardly embodied, or physicoacoustic events having physiological explanation. For, in intimate listening, there will inevitably be connotations of privacy and proximity, of a felt collapse between bodily interiority and exteriority. Intimate listening necessitates an inti- mate form of attention, as will be shown, even to the very workings of our inner ear, reducing the physical Narratiev: psychical distance between our subjectivity and sonic events.
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Consequently, acts of listening cannot be disintermediated, and will always be inextri- cable from the production of sounds in the body of the listener. For the purposes of this particular exploration of intimate listening, I concentrate on the former. P2 Insofar as scholarship in other areas such as sound studies, musicology, and sensory studies Personal Narrative: Paterson turned its attention towards listening, the question of space, including ar- chitectural space and spatial proximity is one acknowledged focus see, e.
But proximity does not always equate with intimacy. Some recent work in human geography, that most spatial continue reading social sciences, has also begun to attend to sound, albeit predominantly through the spaces of performance and identity construction. Therefore, rather than pursuing acts Personal Narrative: Paterson sonic consumption as acts of identity in a shared space e.
P3 The structure of the chapter is as follows. S1 Listening with Nancy C Rather than a formal aesthetic schema for analysing music, or musicality, or even sound as such, a phenomenological approach to the listening subject allows Nancy to take a step back, to think about the body itself as an echo chamber, as a site of resonance.
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P5 For Nancy, the source of the sound is always present: it is the body as echo chamber, insofar as the body itself only comes to hear what is resonating through it once timbre has always already become resonance and become sound. And yet, if the Personal Narrative: Paterson itself becomes a source of sound, as well as implicated within the agency and activity of listening, there are curious foldings of sound and sensation. However, this would be to presuppose a reductively basic form of listening subject, a listening prior to any imposition of meaning or aesthetic codes, what Lyotard has called the anima minima minimal soul. In an essay of that title in Postmodern FablesoxfordhbP Aristotle does not have a theory of View Essays as such.
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It alerts, it should be Personal Narrative: Paterson, it Perdonal it. What we call life proceeds from a violence exerted from the Personal Narrative: Paterson on a lethargy. The anima exists only as forced. A sound, a scent, a color draw the pulsing of a sentiment out of the neutral continuum, out of the vacuum Lyotard,p. And in Physics, book VII. P9 For an organ or a body to be affected in any way, it must be capable of being altered, changed. P10 The capacity for receptivity and alteration characterizes the most fundamental aspects of any sensing organism. It reminds us that listening is always haptic, the contact tactus, touching upon, grasped of some- thing from the outside. Yet, because of the physical and physiological contiguities of the mechanisms of transmission through the skin and the ear through stapes, Personall, a series of connected pressure waves felt through the organs, http://pinsoftek.com/wp-content/custom/sociological-imagination-essay/is-hamlet-crazy-or-insane-analysis.php chambers and boundaries of the bodyexterior forces and pressure waves routed through the body become proximal, and vibration is felt within.
In Latin, intimus refers to the inmost, to that which is a profound secret.
Conversely, to tell or share a secret is to impress upon someone, to intimate Latin intimarewhich retains that haptic model of contact but reverses the direction outwards, involves another body in a shared act of listening. S2 Resonating with Serres C It is also fitting that Personal Narrative: Paterson Serres starts click second chapter of The Five Senses facing the ruined amphitheatre of Epidaurus in the early morning, seeking respite not oxfordhbP]
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