High Noon Literary Analysis Video
High Noon Literary AnalysisImpressionen
Western is a genre of fiction set primarily in the latter half of the 19th and early 20th century in the Western United Stateswhich is styled the "Old West". Cowboys and gunslingers typically wear broad-brimmed and high-crowned Stetson hats, neckerchief bandannasvests, spurs, cowboy bootsand buckskins alternatively dusters.
Recurring characters include the aforementioned cowboys, IndiansSpaniardsMexicansbandits, lawmen, bounty huntersoutlawsgamblerssoldiers especially mounted cavalry, such as buffalo soldiersand settlers farmers, ranchers, Anwlysis townsfolk.
Westerns often stress the harshness of the wilderness and frequently set the action in an arid, desolate landscape of deserts and mountains. Often, the vast landscape plays an important role, presenting a "mythic vision of the plains and deserts of the American West.
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Many Westerns use a stock plot of depicting a crime, then showing the pursuit of the wrongdoer, ending in revenge and retribution, which is often High Noon Literary Analysis through a shootout or quick-draw duel. The Western has been recognized as the most popular Hollywood film genre of the early 20th century through the s. Western films first became well-attended in the s. John Ford 's landmark Western film Stagecoach became one of the biggest hits of that year, and made John Wayne a mainstream movie star.
The s have been described as the golden age of the Western, and had the release of films such as Broken ArrowHigh NoonShaneWichitaThe SearchersNpon Rio Bravo High Noon Literary Analysis Westerns such as these have been the inspiration for various films about Western-type characters in http://pinsoftek.com/wp-content/custom/newspeak/essay-on-age-diversity-in-the-workplace.php settings, such as Junior Bonnerset in the s, and The Three Burials of Melquiades Estradaset in the 21st century. The Western genre sometimes portrays the conquest of the wilderness and the subordination of nature in the name of civilization or the confiscation of the territorial rights of the original, Native American, inhabitants of the frontier.
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These honor codes are often played out through depictions of feuds or individuals seeking personal High Noon Literary Analysis or retribution against someone who has wronged them e. This Western depiction of personal justice contrasts sharply with justice systems organized around rationalistic, abstract law that exist in cities, in which social order is maintained predominantly through relatively impersonal institutions such as courtrooms.
The popular perception of the Western is a story that centers on the life of a seminomadic wanderer, usually a cowboy or a gunfighter. In some ways, such protagonists may be considered the literary descendants of the knights-errantwho stood at the center of earlier extensive genres such as the Arthurian romances. Like knights-errant, the heroes of Westerns frequently rescue damsels in distress. Similarly, the wandering protagonists of Westerns share many characteristics with the ronin in modern Japanese culture.
The Western typically takes these elements and uses them to tell simple Costume In Blood Brothers tales, although some notable examples e. Westerns often stress the harshness and isolation of the wilderness, and frequently set the action in an arid, desolate landscape.
Western films generally have specific settings, such as isolated ranches, Native American villages, or small frontier towns with a saloon. Oftentimes, these settings appear deserted and without much structure. Apart from the wilderness, the saloon usually emphasizes that High Noon Literary Analysis is the Wild West ; it is the place to go for music raucous piano playingwomen often prostitutesgambling draw poker or five-card studdrinking beerwhiskeyor tequila if set in Mexicobrawling, and shooting.
In some Westerns, where civilization has arrived, the town has a church, a general store, a bank, and a school; in others, where frontier rules still hold sway, High Noon Literary Analysis is, as Sergio Leone said, "where life has no value". The American Film Institute defines Western films as those "set in the American West that [embody] the spirit, the struggle, and the demise of the new frontier. Protagonists ride between dusty towns and cattle ranches on their trusty steeds.]
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