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Jazz has a glorious tradition. Sun Ra was schooled in it, emerged from it, and grew to transcend it though he never abandoned it. Even the cheeky term 'Space Jazz' cannot frame the extremes to which Ra pushed his art in the mids. In this regard, The Magic City was a pinnacle. Arkestra drummer Tommy Hunter, quoted in John Szwed's Ra bio Space is the Place, describes a typical performance of the period: 'It was like a fire storm coming off the bandstand. The term was the town's motto, emblazoned on a billboard by the train station near Sunny's childhood home, intended to reflect the city's explosive growth as a Southern industrial epicenter after the discovery of iron ore, coal, and limestone deposits. Birmingham was a place about which Sun Ra felt and expressed ambivalence: an outpost of racial segregation and grim smokestack-pocked landscapes, yet a city for which he felt twinges of nostalgia and affection. His heirs still live in the area. Ra customarily supervised the Arkestra's improvisational process via keyboard cues or hand signals. Comparing Burtynskys Images
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