The second ruler of the prosperous Tang, Li fought against the invading Turkic tribes after joining the army at 16, defeating the armies of the collapsing Sui Dynasty ADand later crushed warlords to unify the country.
To commemorate his illustrious war horses, Li commissioned royal artist Yan Liwen and his brother, royal craftsman Yan Lide, to make a set of relief sculptures modelled on the horses. In ADa total of six horse relief sculptures, each measuring 2.
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Each piece is entitled with the name of the horse, along with a eulogy penned The Stolen Party the emperor himself and written by renowned calligrapher Ouyang Xun. Among the whole set, the horse Salu Zi stands out, depicting a warm-hearted scene between man and horse. Standing still, the horse snuggles up against a warrior who is treating the wound on its chest.
Records show that in a crucial battle in ADthe bay horse, with shades of purple, managed to take Li out of a close fight, despite arrows to its chest. Quanmao Gua is a horse with whirling yellowish hair and a black mouth.
The sculpture shows the injured horse in a steady trot, with six arrows in its back and three in its chest, indicating the ferocity of the battle. Another trotting horse is named Teqin Biao, a whitish yellow horse that Li rode to put down the rebellions in the early years of his reign.
Inthe best two relief sculptures of this The Stolen Party, Salu Zi and Quanmao Gua, were smuggled out of country.
According to the Zhaoling Museum, citing archives aPrty Shanghai Museum, the theft of the treasured pieces was ordered by notorious antique smuggler Lu Qinzhai and covered up by then Shaanxi military governor Lu Jianzhang. To make it easier to carry, the smugglers even cut the sculptures into several parts. Inthe remaining four pieces were also stolen.
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Likewise, they were cut up for transportation. Fortunately, before the cargo ship made it to the pier in Tongguan, a gateway town in Shaanxi, the smuggling was quietly intercepted by Stoeln vigilant boatmen. Taking their chance while uploading the supplies, they secretly swapped the stolen sculptures and buried them under water. Two years later, when patriotic general Feng Yuxiang regained the military governance of the province, the boatmen told The Stolen Party the whereabouts of the sculptures. They are listed as treasured cultural relics prohibited from overseas exhibition by the National Cultural Heritage Administration. However, the original sculptures of Salu Zi and Quanmao Gua are still displayed at Penn Museum, as it declares that the items are acquired through proper channels.]
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