The talented: The Oath Of The Horatii Jacques Louis David Analysis
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Mike Roses The Mind At Work | 2 days ago · Oath Of The Horatii Analysis. Painting and relevance: Jacques-Louis David’s “Oath of the Horatii” was painted in and it was commissioned by the Académie royale de peinture et de sculpture on behalf of the Kind Louis XVI. The inspiration of the painting had to come by Corneille’s Play “Horace” which was being performed in Paris. 7 hours ago · Raphael, Philosophy (School of Athens), –, 16′ 5″ x 25′ 3″: Jacques-Louis David, Oath of the Horatii, , 10′ 8″ x 13′ 9″. 2 days ago · David. About. Jacques-Louis David. Father dies () Apprenticed to Vien () Wins the Prix de Rome () Born () Departs for Rome () Departs for France. |
JUDAISM INFORMATIVE SPEECH | 2 days ago · Jacques-Louis David, the main example of ‘Neo-Classical Art’ in the period of the French Revolution, was brought into the world on August 30, , in a wealthy group of Paris. David lost his dad to a fierce quarrel when he was just nine years old. In . 1 day ago · The artist of “The Oath of the Horatii” is Jacques-Louis David. c. How is this work similar to the figures at of the video? This work is similar to the figires at of the video because in the painting you can see 3 men to the left with their hands pointed to swords and in the video there’s also multiple men pointing at something. 4. 2 days ago · David. About. Jacques-Louis David. Father dies () Apprenticed to Vien () Wins the Prix de Rome () Born () Departs for Rome () Departs for France. |
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The Oath Of The Horatii Jacques Louis David Analysis Video
Oath of the Horatii Art History ProjectNeeds Improvement F A fully developed essay intro, body paragraphs, conclusion. The introduction includes a clear, well-focused thesis or topic sentence. In the body paragraphs, main ideas are clear and are well supported by detailed and accurate information presented in a logical progression.
Specific visual and contextual evidence is accurately used to analyze the similarities between the two works.
Élisabeth-Louise Vigée-Lebrun: Neoclassical
Specific visual and contextual evidence is accurately used to analyze the differences between the two works. The meaning transmitted in the selected works of art is accurately explained. The conclusion is strong. Vocabulary and terminology are used appropriately and correctly. No grammatical or spelling errors. A fully developed essay intro, body paragraphs, conclusion. In the body paragraphs, main ideas are clear but are not always well supported by detailed and accurate information or not always presented in a logical progression. Specific visual and contextual evidence is somewhat accurately used to analyze the similarities between the two works. Specific visual and contextual evidence is somewhat accurately used to analyze the differences between the two works.
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The meaning transmitted in the selected works of art is somewhat accurately explained. Analysid major grammatical or spelling errors. The introduction includes thesis or topic sentence, which lacks clarity. In the body paragraphs, main ideas are somewhat clear but are not well supported by detailed and accurate information and not always presented in a logical progression.
Few visual and contextual evidence is used to analyze the similarities between the two works. Few visual and contextual evidence is used to analyze the differences between the two works. The meaning transmitted in the selected works of art is not explained.
Jacques-Louis David – The Neo-Classical Artist of the French Revolution Age
The conclusion is weak. Art Historical vocabulary and terminology are used appropriately, but there are some grammatical or spelling errors. An essay is not fully developed. The introduction is missing or does not include a clear thesis or topic sentence. In the body paragraphs, main ideas are not clear and not supported by detailed information.
No or inaccurate visual and contextual evidence is used to analyze the similarities between the two works. No or inaccurate visual and contextual evidence is used to analyze the differences between the two works. Overall, content relates peripherally to the question; might contain significant factual errors. There is no clear conclusion. Ordinary word choice; use of art historical vocabulary and terminology avoided.
An essay is not developed and is poorly written. Statements are not supported by any detail or explanation, with repetitious, incoherent, illogical development. Limited vocabulary; grammatical errors impair communication.
Throughout the course, we have discussed how artworks manifest the influence of larger philosophical movements. Compare and contrast the influence of Enlightenment thinking on the art of the 18th century with the influence of Humanism on the art of the Renaissance.]
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