Consider, that: Personal Narrative: I Am Black/Latin American Beauty Myth
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| Personal Narrative: I Am Black/Latin American Beauty Myth | 17 hours ago · In encounters with Eastern European Jews, Bartov argues, rather than disproving the propaganda myth, the ‘real’ Jew was moulded to t in within it.9 If German troops believed that they were being confronted with real-life manifestations of the mythical Jew, then Daniel Jonah Goldhagen’s suggestion that their photographs of harassment and. 4 days ago · Florida’s Governor DeSantis Saved Florida by Breaking Out of the Fear Narrative pinsoftek.com Custom Academic Help / pcr3 Florida’s Governor DeSantis Saved Florida by Breaking Out of the Fear Narrative Florida was locked down for thirty days in April Governor DeSantis realized it was a mistake, and Florida has been open ever since, Florida has done much. 3 days ago · Notes on THE WHO SHOT LIBERTY VALANCE by John Ford(as reviewed by Trevor Lynch) — Power of Myth & Narrative — Anglos and Irish in American History and Politics Andrea Ostrov Letania Apr |
I find it a deeply flawed, grating, and often ridiculous film John Wayne and Jimmy Stewart, both fine actors given the impossible job of playing men in their 20s, even though they were aged 54 and 53 at the time. The film is poorly paced as well, burning through screen time Shinbone was built on a soundstage. Ford Amwrican known for shooting on location because he loved authenticity.
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It's certainly an old man's movie. It was made at a time when the Western too had grown old and was on the way out, go here not least due to its great success on the TV screen. The use of sound-stage over actual locations suggest at this. Not only has the West been tamed but the Western itself has been tamed as weekly TV shows on all three networks. In a way, the West had a second life through the Western. Already by the time the first Western movie hit the screen, the Wild West was mostly thing of memory. The West had already become 'old'.
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It was as if Manifest Destiny reborn, happening all over as American Saga in the form of the Western. Indeed, John Wayne aged along with the Western. And John Ford was even older. Minus any context, one will notice many 'flaws' that may even seem ridiculous. And yet, this 'flaw' becomes a point and takes on meaning if seen as Ford's commentary on the Western and his place in it. As a story of recollection, it's taking place inside the soundstage of Ransom Stoddard's crusty old mind. It's sort of like a ghost-play. It's also as if Stoddard has forgotten how young they were and revisits those young days trapped in an old-man mentality. Thus, what seems source and even boring has to be seen as unfolding at an old-man's mental pace. It's a narrative with cobwebs. Stoddard has to rummage through the closets and attics of his mind to recall how things had been.
Also, there's added tension because Stoddard's intention is to tell the truth and nothing but the truth, but personal memory is never a sure thing. The stage-like quality of the movie conveys this: the past has to be reconstructed to be deconstructed.
Also, as the story is essentially subjective, drawn from Stoddard's memory, and shows the limitation of Stoddard's perspective. He was too busy building order out of it, and the narrative and the setting are ordered and arranged like so many toy houses and train set. However, for a story that is largely subjective recollection, there are scenes without Stoddard. How could Stoddard know of Personal Narrative: I Am Black/Latin American Beauty Myth if he wasn't there? At best, he could have heard of what happened elsewhere or surmised with his own intuition and limited imagination.
Or, maybe John Ford just used the age-old convention where the flashback, though initiated as subjective memory, turns into a kind of omnipotent survey of the past. In the end, all the details of something, true or not, matter far Personal Narrative: I Am Black/Latin American Beauty Myth than the key issue of myth. And the element of myth was inseparable from the West and especially the Western.
In a way, a Western trying to be real or truthful is a fool's game as its very essence is the myth.]
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