Horserider Theory - phrase
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Franz Marc , Blue Horse I, The name of the movement is the title of a painting that Kandinsky created in , but it is unclear whether it is the origin of the name of the movement, as Professor Klaus Lankheit learned that the title of the painting had been overwritten. Within the group, artistic approaches and aims varied from artist to artist; however, the artists shared a common desire to express spiritual truths through their art. They believed in the promotion of modern art; the connection between visual art and music; the spiritual and symbolic associations of colour; and a spontaneous, intuitive approach to painting. Members were interested in European medieval art and primitivism , as well as the contemporary, non-figurative art scene in France. As a result of their encounters with cubist , fauvist and Rayonist ideas, they moved towards abstraction. Der Blaue Reiter organized exhibitions in and that toured Germany. They also published an almanac featuring contemporary, primitive and folk art , along with children's paintings.
According to a new report by industry analysts Mark Horserider Theory and Keith Jopling of Midia Research, songwriters are getting drastically short-changed in the music-streaming economy. An anonymous reader shares an excerpt from the report: The page report, which is available here for free, lays out both the history of this dilemma and some admittedly difficult proposed solutions, but what may be unprecedented is the way that it lays out how skewed against songwriters the new music economy is. This has led to a Horserider Theory body of superstar writer-producers.
However, as the audiences on these platforms migrate towards on-demand alternatives, performance royalties face a long-term decline. Similarly, the continued fall in sales means fewer mechanical royalties for songwriters.
Of total royalties paid by streaming services to rights holders, between a fifth and a quarter is paid for publishing rights to Horserider Theory song. Labels are Horserider Theory more than three times higher than publishers on streaming. On average, songwriters will therefore earn between a third and a half of what artists do. After proposing a series of solutions, such as implementing "fan-centric licenses" and revised streaming prices, the report Horseridsr "What is clear is that today's' song economy is not working as it should and that everyone across the value chain will benefit from a coordinated program of change.]
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