Comparing Mirandolas Neoplatonism And Modern Christianity Video
Comparing Mirandolas Neoplatonism And Modern Christianity.Question: Comparing Mirandolas Neoplatonism And Modern Christianity
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| Comparing Mirandolas Neoplatonism And Modern Christianity | 1 day ago · Diana Di Segni, Universität zu Köln, Philosophy (Thomas-Institut) Department, Post-Doc. Studies Maimonides, Philology, Codicology, Critical Edition, and Medieval Philosophy. I am a Research Associate at the Thomas-Institut (University of Cologne). I. 1 day ago · The Renaissance: Studies in Art and Literature. Dedication: To C.L.S February Preface: vii-xv; Two Early French Stories: ; Pico della Mirandola: ; Sandro Botticelli: ; Luca della Robbia: ; The Poetry of Michelangelo: ; Leonardo da Vinci: ; The School of Giorgione: ; Joachim du Bellay: ; Winckelmann: 1 day ago · CHAPTER 4 KEY TERMS, PLACES AND EVENTS Neoplatonism merged platonic philosophy with Christianity Vitruvian Man based on the architect Vitruvius's notes, a drawing by Leonardo da Vinci featuring a man in a circle. Northern Rennaissance the Renaissance in Europe north of Italy. More religious than Italy's. Christian Humanists northern writers who criticized the mother . |
Drake, Ph. Please see his linked disclaimer. Numbers in brackets indicate page breaks in the print edition and thus allow users of VW to cite or locate the original page numbers. Superscript numbers link to Source original notes. Click to see more account of the Renaissance can be complete without some notice of the attempt made by certain Italian scholars of the fifteenth century to reconcile Christianity with the religion of ancient Greece. To reconcile forms of sentiment which at first sight seem incompatible, to adjust the various products of the human mind to one another in one many-sided type of intellectual culture, to give humanity, for heart and imagination to feed upon, as much as it could possibly receive, belonged to the generous instincts of that age.
Comparing Mirandolas Neoplatonism And Modern Christianity earlier and simpler generation had seen in the gods of Greece so many malignant spirits, the defeated but still living centres of the religion of darkness, struggling, not always in vain, against the kingdom of light. Little by little, as the natural charm Comparing Mirandolas Neoplatonism And Modern Christianity pagan story reasserted itself over minds emerging out of barbarism, the religious significance which had once belonged to it was lost sight of, and it came to be regarded as the subject of a purely artistic or poetical treatment. And the fifteenth century was Migandolas impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to do as a religious object.
The restored Greek literature had made it familiar, at least in Plato, with a style of expression concerning the earlier gods, which had about it something of the warmth and Mosern of a Christian hymn. It was too familiar with such language to regard mythology as a mere story; and it was too serious to play with a religion. Unfortunate gods! They had then to take flight ignominiously, and hide themselves among us here on earth, under all sorts of disguises. The larger number betook themselves to Egypt, where for greater security they assumed the forms of animals, as is generally Mirandola.
Just in the same way, here had to take flight again, and seek entertainment in remote hiding-places, when those iconoclastic zealots, the black brood of monks, broke down all the temples, and pursued the gods with fire and curses. Many of these unfortunate emigrants, now entirely deprived of shelter and ambrosia, must needs take to vulgar handicrafts, as a means of earning their bread. Under these circumstances, many whose sacred groves had been confiscated, let themselves out for hire as wood-cutters in Germany, and were forced to drink beer instead of Comparing Mirandolas Neoplatonism And Modern Christianity. Apollo seems to have been content to take service under graziers, and as he had once kept the cows of Admetus, so he lived now as a shepherd in Lower Austria. Here, however, having become suspected on account of his beautiful singing, he was recognised by a learned monk as one of the old pagan gods, and handed over to the spiritual tribunal.
On the rack he confessed that he was the god Apollo; and Moderj his execution he begged that he might be suffered to play once more upon the lyre, and to sing a song. Some time afterwards the people wished to drag him from the grave again, that a stake might be driven Neoplatonlsm his body, in the belief that he had been a vampire, and that the sick women would by this means recover.
Pico della Mirandola
But they found the grave empty. It is so with this very question of the reconciliation of the religion of antiquity with the religion of Christ. He might go on to observe that each has contributed something to the Comparing Mirandolas Neoplatonism And Modern Christianity of the religious sense, and ranging them as so many stages in the gradual education of the human mind, justify the existence of each.
The basis of the reconciliation of the religions of the world would thus be the inexhaustible activity and creativeness of the human mind itself, in which all religions alike have their root, and in which all alike are reconciled; just as the fancies of childhood and the thoughts of old age meet and are laid to rest, in the experience of the individual. here
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Far different was the method followed by the scholars of the fifteenth century. They lacked the very rudiments of the Mirandolaz sense, which, by an imaginative act, throws itself back into a world unlike one's own, and estimates every intellectual creation in its connexion with the age from which it proceeded.
They had no idea of development, of the differences of ages, of the process by which our race has been "educated.
The religions of the world were to be reconciled, not as successive stages in a regular development of the religious sense, but as subsisting side by side, and substantially in agreement with one another. Plato and Homer must be made to speak agreeably to Moses. Set side by side, the mere surfaces could never unite in any harmony of design. Therefore one must go below the surface, and bring up the supposed Neoplaronism, or still more remote meaning, — that diviner signification held in reserve, in recessu divinius aliquid, latent in some stray touch of Homer, or figure of speech in the books of Moses.
And yet as a curiosity of the human mind, a "madhouse-cell," if you will, into which we may peep for a moment, and see it at work weaving strange fancies, the allegorical interpretation of the fifteenth century has its interest. With its strange web of imagery, its quaint conceits, its unexpected Comparing Mirandolas Neoplatonism And Modern Christianity and subtle moralising, it is an element in the local colour of a great age. It illustrates also the faith of that age in all oracles, its desire to hear all voices, its generous belief that nothing which had ever interested the human mind could wholly lose its vitality.
Miranddolas is the counterpart, though certainly the feebler counterpart, of that practical truce and reconciliation of the gods of Greece with the Christian religion, which is seen in the art of the time. Marsilio Ficino has told us how Pico came to Florence.]
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